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Posted: 5.29.07

What Sets Chinese Painting Apart
From Western Painting

By: Ernesto Apomayta

Because of different instruments, materials and cultural background, Chinese paintings have their own image and content in comparison to other types of paintings. Unique appearance of Chinese Painting owes much to the use of the Chinese writing brush and the Chinese paper (rice and silk). There are four essential elements used in the creation of Chinese Painting, the brush, ink, paper, and the ink stone. Lacking any of them the job cannot be done.

The most important factors for Chinese Painting are the special pedagogy, the close relationship with the painter’s personality and the unique Chinese philosophy. They are trained not only to convey the objects but also express the mood and the spirit of the subject. The Chinese also believe that the painting is the expression of the painter’s knowledge and temperament. In this way, Chinese Painting becomes something much more than art.

The most essential philosophy of China is the unity of Heaven, Earth and Human Beings. What the Chinese Painters are trying to express is not what meets the eye, but their attitude to the Great Nature. The Chinese painter has a profound love and admiration for nature. It is part of their culture, religious practices and their need to depend on nature to survive.

In relationship to human and animal figures, the Chinese painter utilizes the forms he finds in nature, such as ovals, circles, and geometric lines which are found also found in Chinese calligraphy. Thus, all Chinese paintings whether they are landscapes or the human figure are painted with the same movement, rhythm, and harmony that is used when drawing the forms of calligraphy. Calligraphy is a form of art, even more revered and honored than all other painting.

In the same theme they may spend hours contemplating and drawing inspiration from the figures of nature such as humming birds with their fragile wings, the robust legs of the cricket, and the fascinating form of the praying mantis. From the minor or simple creatures that are chosen as subjects of art work, we can see how they enjoy the nature and the love they devote to the most humble things.

The Chinese painter finds it offensive to contemplate and draw the human figure by itself. Human beings are part of the surrounding heavens and earth. They are all together. That is why Chinese paintings are simple in composition and full of harmony, overall balance and peace with all of creation. They are interested in the mood and spirit.

Copyright 2004 © Ernesto Apomayta


Ernesto Apomayta Born and raised in Puno, Peru, Ernesto Apomayta was identified as an artistic prodigy at the tender age of five. As a boy, Apomayta was first influenced and inspired by the natural marvels surrounding the humble home he shared with his family. In close proximity to shimmering Lake Titicaca, the striking beauty of the Andes and the awe-inspiring Incan ruins of his ancestors, Apomayta was spiritually compelled to express his wonder visually through his paintbrush. A direct ancestor of the legendary photographer, Martin Chambi, Apomayta derived inspiration from the same native influences and his legacy that encouraged Apomayta to fulfill his own artistic destiny. To view many of Ernesto Apomayta’s pieces of artwork please visit www.apomaytaart.com  for full information on Mr. Apomayta. apomayta@hotmail.com

 

Posted: June 1, 2007

Beginning With Acrylic Paints:
I'm Ready to Paint – Where Do I Start?

By Catherine Calder

OK - you have paints, brushes, palette, a painting surface and some water but where do you start? When you are beginning with acrylic paints it can appear to be very complicated!

Every painter has their own process, but I like to start at the back of the picture and work forward. In other words I start by painting the background and things that are furthest away and then work forward from there.

I paint a lot of landscapes and seascapes and it makes sense to start at the farthest away area. Usually this means starting with the sky. Then the distant land areas, middle distance land, and finally the foreground area.

Painting in this order means that the areas that are closer can overlap the further away areas and this helps to ‘push them back’. This helps to give depth to the painting.

In the Acrylic Painting Course we look at all the ways to give depth to a painting, for example having the most detail in the foreground. However working ‘from the back’ is a good methodthat helps to achieve this too.

Some painters prefer to work the entire picture at the same time. This helps them to get the right balance between the different areas as the painting progresses.

This ‘all at once’ method is used when painting the portrait in the Acrylic Painting Course. I think it is the best way of working when painting portraits, animal pictures and some still life scenes.

However when you are beginning with acrylic paints it can be a bit overwhelming to have to think about the whole of the picture. It is easier to just concentrate on the one area you are painting at the time.

Also with acrylic paints it is fairly easy to go back and add some extra color when you want to get the balance of a painting ‘just right’. In watercolors this would be more of a problem.

The best way when you are beginning with acrylic paint is probably to try both methods and see which one you prefer!

Catherine Calder is the author of the Acrylic Painting Course A step-by-step painting course perfect for beginners. Quick and Easy Free Report on ‘How to Paint Abstract Pictures for Pleasure and Profit’ Plus a Free Preview of the course shows how to paint a sunset Visit http://www.LearnAndDo.com/acrylic.asp

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